After much prevarication, here’s my first attempt at oil painting. I’m calling it ‘Multitudes’. An abstract offering. I’m not claiming claiming anything for the painting in terms of any perceived or imagined merit. It is what it is.
I’ve now completed the abstract painting I’d recently started. It’s now looking quite a bit different to its first incarnation as a result of a re-think.
I instinctively knew it wasn’t right and took steps to change it quite radically although I feel for the better.
I’ve given it the title ‘The Powerful Play Goes On’ – a line from one of Walt Whitman’s poems. Hope you approve.
Fascinated by the base of a particularly old tree one evening a few weeks ago in Queen Square in Bristol I spent some time sketching it. Back home in Liverpool a few days later I decided to apply a more abstract approach to the sketch. And now I’ve started working this up into a painting.
Here it is on the easel and I’m working in mixture of acrylics and emulsion of all things. A long way to go but I thought it might be interesting to record its progress to completion. Watch this space and, as always, your comments are very welcome.
I know the title of this painting would indicate I’m a little out of synch with the seasons but it was the use of colour that grabbed my attention.
This is an oil painting by Howard Coles called ‘Autumn Woodland’. His usual subject matter is landscapes and seascapes in North Wales.
Here’s his website -http://howardcoles.co.uk
While on my drawing course at Tate Liverpool, one painting in the gallery caught my eye from the outset. It’s a work by the Swiss artist, Dieter Roth.
Apart from its bold use of colour, the painting uses a range of materials and artefacts and the artist’s face is there to see if you look closely, too.
Not the sort of artwork I might have expected to have liked in the past, but it’s definitely got a force field all of its own that draws me back even now.
Just finished this painting I’ve been working on for a few weeks.
Calling it ‘Before The Blossom’ – it’s based on a sketch of the blossom tree a number of weeks back when the branches were bare, well before the blossom arrived. It’s painted in acrylics and emulsion (I had some paint sample pots lying around!).
Let me know what you think.
Perhaps it’s fairer to say that Ben Quilty is an artist who is new-ish to me. I am, however, fast becoming a big fan of this Australian artist’s bold, evocative portraits in oil.
This is actually called Self Portrait After Madrid, 2007. Will certainly be taking a close look at his technique when I come to start working in oils myself.
Fortunately, this coming weekend is a busy one, otherwise I might be feeling a little adrift after finishing the short drawing course I’ve been on at Tate Liverpool. It’s been an excellent few weeks and I’d like to think I’ve learnt a lot in that time. Certainly I feel my confidence levels have risen. And after being directed to wander into the gallery and draw, any inhibitions about drawing in front of others has all but vanished.
Asked to draw two artworks together I’d struggled to find what I wanted and was surprised later to discover that the main item was, in fact, another Barbara Hepworth piece called Two Forms (1933). You can’t see it from here, but in the distance was a painting called Large Black Landscape (1946) by Jean Dubuffet.
Odd then, that I’d started and finished the course by drawing pieces by Barbara Hepworth, an artist I’d not known very much about before.
Here’s a weblink for those of you who might be interested – http://barbarahepworth.org.uk
Anyway, here was my first sketch last Saturday morning.
There’s the Dubuffet painting in the bottom left. Pleased though I was with this, I was soon back in the Tate’s studio and set about working up another sketch based on the first one. This time I was using chalk pastels. See what you think.
My challenge now is to keep drawing as I move towards my first attempts at oil painting in a little while.
Apparently it was the German-Swiss painter, Paul Klee, who said that drawing was essentially like taking a line for a walk.
That’s precisely what I got to do on my drawing course at the Tate yesterday, although at times it felt more like taking my 11 month old Labrador, Henry, for a walk – unpredictable, shall we say?
After the tutorial was over and I was let loose in the gallery, I found this piece – Hanging Disc Toy – by Chinese artist, Li Yuan-chia.
The remit was simply to create a number of quick sketches to bring back to the studio of a range of modern pieces. This was the one I made of Hanging Disc Toy.
Pleased that my tutor and a fellow student both expressed the view that my drawing has freed up somewhat over the last few weeks.
Next up was a sketch from a piece by Robert Adams – Space Construction With A Spiral.
And yes, that’s me working with wire and a pair of pliers as I try to turn the image into a 3 dimensional structure. See what you think.
This is my 3-D piece on a white background and lit by a spotlight. Comments welcome!